Kid Confucius

Having eight people in a band, you’d tend to expect a lot of conflict between members. Especially when not in the studio recording, those members are out on the road touring constantly. But Bart Denaro of Kid Confucius enjoys the time he spends with his band mates. “It’s almost like a school camp with us,” he laughs, “because there’re at least 10 people in the entourage and it’s just a lot of fun. Even if you do have a problem or a problem comes up you can distance yourself from it because there’s so many people [to interact with].”

Kid Confucius are promoting their sophomore album ‘Stripes’, a soulful exploration of funk and hiphop, inspired by the likes of Aretha Franklin and Stevie Wonder, with a little bit of rock thrown in. “Personally as a drummer,” says Denaro, “I would say my biggest influence would have to be John Bonham (of Led Zeppelin fame), but then it moves to the old soul session players like Bernard Perdie and Al Jackson, and those kinds of bands. Our influences have changed though and me and a lot of the band have a strong rock influence”.

“When we got together the first song we jammed on was Suck My Kiss by the Chilli Peppers,” Denaro explains the rock link further. “And that kind of party funk thing we were doing in the beginning, that is appealing to anyone on the level that you go out to a club and don’t really know the song, but still dance to it. And for a young band that’s really appealing. You don’t need people to know you, you don’t need to be on the radio to be able to do a good gig, the people just get into it because it’s got that groove to it,” he smiles. “Then we started looking a bit deeper into the music we were listening to. We started looking at those who inspired the funk, like Stevie and that, and started focusing on those elements for this album.”

Not only have the influences evolved, but also the whole song writing process. “In the beginning Andrew (Guirguis aka Pre Fab, the band’s MC) penned pretty much most of the songs on the first album. Since the first album I’ve had a lot more to do with the production side of things because I spent a lot of time working with our producer Buckman (Tony Buchen). Also Rob (Hezkial, the bands main singer) became more involved with the writing process. The songs start from one person’s idea, say a verse idea or chorus, and grow from there. We did about 4 months of pre-production in which we brought those ideas to the table and worked through them as a band. So ‘Stripes’ was a much more collaborative thing than we’ve ever done before.”

Their tour,called ‘The Street Corner Soul Tour’, celebrates Soul music in a similar way to Aretha Franklin’s Fillmore West concerts of 1969 by playing at traditional rock venues around the country. “The Fillmore West was traditionally a rock Mecca in San Francisco and the very gesture of Aretha Franklin playing there was a real statement for soul music. She sold out two nights there which was a real landmark for soul at that time. This idea really struck true for us because we live in such a rock centric country, and we wanted to do something in the same vein – play rock venues and pubs and brazenly play soul music.”

“We kicked the tour off with two nights at the Annadale in Sydney, it’s THE pub-rock venue in Sydney,” Denaro explains, “and we’ve had a couple of gigs there before and haven’t had the greatest time because of therock status. But going in there with this premise, with the word Soul in the tour name, we had two of the best shows we’ve ever played there!” he grins.

They also hit the street corners in the literal sense. “We get as much of the band out there on the street and do an impromptu performance, and the response has been awesome! So far we’ve done a performance in Sydney in Newtown, Brisbane in the Valley, and on Brunswick St in Melbourne. We’ve bought a little battery powered speaker we can plug a couple of guitars and the vox mic into, and we drive around the city, look for a nice spot and then do it as quickly as we can before we get any police attention!” he laughs.

He’s pretty confident it will happen in Adelaide, so don’t be surprised if you see a Tarago pull up to somewhere around the city, and eight musicians pile out and start playing sweet soul music. But if you don’t manage to catch them this way, they’re playing Fri 12 Oct at the Governor Hindmarsh.

The Scratch Perverts – Tony Vegas

Commencing life as an eight person monster hiphop crew, set up to challenge the dominance of the Americans in the DMCs, then whittled down to just three amazing performers, The Scratch Perverts now epitomise all that is good about dance music. They’ve grown and matured from the hiphop scene, playing a diverse and clever range of music that encourages people to listen to stuff they wouldn’t normally listen to, and which prohibits the group from being pigeonholed into any other category than “simply superb”.

Tony Vegas, the man who originally kicked off the Scratch Perverts isn’t afraid to speak his mind. When I mention the fact that some people choose to criticise them for playing stuff other than hiphop in the begining, he shoots off into a massive, well though out rant that has us both chuckling throughout. “People always want you to be the person they want you to be,” he begins philosophically. “It’s a fact of being a performer to a certain extent. If the Red Hot Chilli Peppers played in Australia tomorrow night and just performed stuff off their yet to be released new album, people would be like “what the fuck! I wanted you to do Under the Bridge” and so on. People want you to be who they want you to be, and personally I have no interest in that. You’re there to show them who you are and who you know yourself to be.”

“People can interpret how you perform however they choose to, but if any of those who’ve criticised us for playing stuff other than hiphop can tell us that the hiphop scene is so good that we shouldn’t play stuff other than hiphop, I’ll gladly listen to them. But as far as I’m concerned the whole hiphop scene is on its arse, and has been for ages; it’s shit!” he chuckles. “Yeah ok Kanye West’s new album is going to come out and it’s going to be good, yeah definitely no doubt,” he concedes “but where is everything else? There’s just not good stuff coming out anymore and it’s not 1989 anymore.”

“We play music that affects us emotionally and we like as a crew,” he states. “Hiphop was never about one particular ‘thing’, it was always about interpretation of music, and that’s what I still consider it to be. I’ve been into hiphop since the early 80s and I’m old in that game and I’m pretty sure in my opinion of what hiphop is meant to be. It’s not about a guy with a microphone rapping over a fucking Scott Storch beat; it was never meant to be that and was meant to be more than that. If people’s interpretation of it is simply that then they’re welcome to it, but I don’t think it’s really fair for people to, in a bitchy way, challenge other people’s interpretation of music. I think it’s just a bit weak to be honest.”

With that out of the way, we discuss the fortunes of the group. “The DJing thing for us seems to get bigger all the time. It’s really good to be busy, especially at home as we’re doing two to three shows a week, though we try to not do more than that,” Vegas says. “We’ve been in the studio a little, and are working out a clothing range with Maharishi to represent the brand we see our name being. But we’re mostly focused in the studio. We hibernate and look at our monitors for 12 hours a day and gradually go mad,” he chuckles.

The Scratch Perverts are known for combining hiphop and drum and bass, so I asked Vegas if they had anything special planned for Australia in the way of tricks. “If people think us playing drum and bass is a headfuck then they should wait to see us play in Australia,” he says mysteriously. After a bit of prodding, he explains a little of what we can expect. “We’re going to work out a few trick things to include,” he mentions casually. “We play a little dubstep now, so we start with that and move into hiphop. We’re influenced by the French scene at the moment, Diplo, Justice, Switch and those kinds of guys, and we think the stuff in the middle will really surprise a lot of people. I don’t think anyone making music at the moment can ignore Justice and the quality of their production. You can’t but help to be influenced by that and if people want to ignore it they’re being childish,” he rants again. But to all those who love dnb, don’t fret. “We end up with drum and bass and so you’ll hear 180bpms a minute, and end up bleeding,” he laughs.

Scratch Perverts play Parklife alongside Adam Freeland, Justice, Digitalism, Stereo MCs and more, held at the Botanic Gardens on Sun 23 Sept.