Sneak Attack! That’s the best way to describe Ozomatli’s fifth album. I listened to it once and have to admit wasn’t really impressed. Expecting tracks like 1999’s Cumbia De Los Muertos or 2004’s Believe, the album opens with the typically Latino fun sound the band generally push, called Are You Ready?

And I was, but not for the rock and roll inspired Yeah Yeah Yeah Yeah and the slow ballads of Love Comes Down and It’s Only Time. It wasn’t what I expected Ozomatli to sound like through listening to their previous albums, and especially after catching their live show a few weeks ago.

However, on subsequent listens, I started to really enjoy the album. It’s catchy as hell, and although it’s not completely in your face all the time party Latino, the blend of influences from 50s rock to Latino funk to hiphop music is great to listen to, even with their overtly political lyrics.

Gay Vatos In Love, a song about being open about being gay, is a prime example of what I mean. Although it’s quite overt in its lyrical content, the 50s styled rock ballad will have you humming on the bus. It’s Only Paper is a different take on the theme of money changes people, and here Ozomatli argue if you change into an asshole because of money, it’s your fault because of the choices you make, because after all money is just paper. Likewise Malagasy Shock, inspired by lead singer Raul Pachecho’s electrocution on stage in Madagascar is life affirming fun.

There are other tracks which were more like what I expected. Elysian Persuasion is funky as hell. The Louie Louie inspired Nadas Por Free is a lesson of fun in Spanglish, and Caballito would be perfect in a Loony Toons cartoon featuring Speedy Gonzalas.

After my initial shock, I find that I’m not disappointed in the album at all. In fact, I think the variety here increases my appreciation of the band substantially, and I think they pull off the different styles successfully without demeaning themselves or the music.