Tag Archives: Drumattic Twins

Mixed Messages vs Against The Grain @ Brown Alley

It’s a rather sad thing for me to admit, but it feels like it had been over a year since I’ve been to a good breaks party. I’ve seen some alright shows here and there, but it’s not like it used to be. And with all the hype about dubstep, I was a little worried everyone else was over breaks and I’d seen the last of the big parties here in Melbourne. However, I still managed to get a posse of new-to-breaks workmates together, and put my reputation on the line promising them a night of good music and great fun.

Although I look old enough to be someone’s cool older brother, after some to-ing and fro-ing with getting people’s IDs (and what happens with those scans anyway?) we missed a few early acts I wanted to see.

We got to the top level of Brown Alley just as School Of Thought started, and pretty much hit the dancefloor harder than a news journalist hits the brandy bottle. The floor was absolutely chockers, and any fear of disappointing my friends with a bad choice of gigs vanished in an instant as Mr Thought played dancefloor slammer after dancefloor slammer.

He played a wide range of beats from Freestylers to Rico Tubbs to his own compositions, even throwing a bit of dubstep in the mix. Everything he played got the crowd hyped up, and there were masses of smiling, happy faces jumping up and down, throwing their hands in the air, and cheering wildly. It was a very friendly atmosphere, with people coming up and screaming “how good is this!?” or just spinning around and giving two thumbs up.

Drumattic twins stepped up with some weird Russian intro, and the place packed even more people in as they delivered their own brand of funked up goodness. Featuring what sounded like live remixes and vocal mashups, the Twins dropped bomb after bomb. My friend went mental with the Prodigy Hyperspeed remix. I loved when they played some of their older stuff like Smokin’ but the biggest floor mover was Feelin’ Kinda Strange which they teased out fantastically.

I did try to explore the other rooms. Worthy was playing some nice tunes in the outdoor smoking area, but it was too crowded for my liking. The side room on the top level was playing some groovy stuff, but I never stuck around for long enough to get a good feel for the sound. I got stuck in the Mez level at about 4 waiting for a friend and heard some of Maya & Vanya, and enjoyed it, although I was itching to get back to the Drumattics.

I was exhausted at one stage, and planned on leaving at 3:30. But 4 o’clock and then 5:30 came around and I was still on the dance floor, grooving to the sounds of big bad breaks by Snowie and Citizen.com, two of my favourite Melbourne DJs. I mean, what’s not to like about a Thunderstruck remix?

I am so happy I took my friends to this event. They’ve heard me play breaks, they’ve been to some smaller shows, but this really was their first big show, and all of them had a ball. I was stoked too – I made some friends, reconnected with some people I haven’t seen in a while, and most importantly any doubt about the breaks scene I may have held have been vanquished by not only excellent music, but an awesome crowd. Bring on the next party!

Drumattic Twins – Drumattical

Some breakbeat records tend to be too arty-farty now days. They try too hard to move away from the “big beat” sound and the negative connotations attached to it that they lose focus, tending to be a mish-mash of sound that leaves you wondering what the hell you’re listening to. Thankfully the Drumattic Twins haven’t done this with their first release “Drumattical”, but instead provide a very listenable and danceable album of wicked beats that ride the spectrum of breakbeat, without becoming cheesy or clichéd.

The album begins with the sound of searching through radio stations, with snippets of talk and music. The latter I suspect are some of their previous releases as “Shades of Rhythm”. This drops into “Smokin It”, which is just a small taste of what you’re about to hear. It’s a pretty simple breakbeat tune that gets your head nodding. This mixes seamlessly into “Start of Something”, a groovy electro influenced tune that builds up nicely to “Feelin’ Kinda Strange”. With it’s sped up vocal and funky guitar loops it is perfect pop, and this has seen it get a lot of air play on JJJ. It will stick in your head, but luckily you’ll want it to stay. After this the album tends to get even funkier, if that’s possible.

“Thinking About You” starts with a soulful sample and then counts down with an old school electro voice (that I just LOVE) to one of the funkiest breaks you’ll hear. “Wormhole” is another nod to electro, being retro without sounding dated. “Mutate the Beat” is one of my favourites, with a groovy bassline underlying an awesome funky wah guitar. “Mind the Gap” is another stomper, with a phat 70’s disco break that will rock many a dancefloor.

Then, showing their abilities to the full come tracks like “Drummatical” and “One Thousand Speakers”, with techno squeals and squeaks; and possibly my favourite, the incredibly dark “Hunt for the Twisted Desire”. This track has an evil bassline over a freaky sample about hunting vampires, then a phat beat that just pounds relentlessly is dropped over the top. The dark, techish mood is continued with “Invincible Bass” and the rolling “Dominate”.

By signing the Drumattic Twins, Finger Lickin’ once again show us they are the leader in breaks, and this album is yet another beautiful feather to put in their cap. Let there be no more doubt that breakbeat has come of age and is maturing beautifully.